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Masterclass – Aaron Sorkin Teaches Screenwriting


Published on: December 10, 2020
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SKU: ALL00429 Category:

Course Content


Aaron Sorkin grew up in Scarsdale, a suburb of New York City where he was very involved in his high school drama and theater club. After graduating from Syracuse University with a Bachelor of Fine Arts in Theater, Sorkin intended to pursue a career in acting. It took him only a short time to realize that his true love, and his true talent, lay in writing.
Meet Aaron. He?s an Oscar winner, a TV hitmaker, and the writer of the some of the smartest dramas ever to hit the screen. And now, he?s your instructor. 02 INTENTION & OBSTACLE
Every great story is born from intentions and obstacles. Learn how to build the ?drive shaft? that will set your script in motion. 03 STORY IDEAS
How do you know if your idea is good enough to turn into a script? Aaron walks you through the steps every writer should take to test an idea-and decide whether it will work best in TV or film. 04 DEVELOPING CHARACTERS PART 1
Aaron shares some of the decisions he made to develop some of his most unforgettable characters-like The Social Network?s Mark Zuckerberg and The West Wing?s Toby and Leo. 05 DEVELOPING CHARACTERS PART 2
Your characters don?t have to be like you-or even likeable. Drawing on examples from A Few Good Men and Steve Jobs, Aaron explains why he always empathizes with his characters even if he disagrees with them. 06 RESEARCH
Good research is the key to a great script. Bad research is a waste of time. How can you tell the difference? Aaron shares lessons from Malice and The Social Network to help you gather the information you really need. 07 INCORPORATING RESEARCH
You have pages of research-now what? Avoid clunky exposition and learn how to seamlessly weave research into your story. 08 THE AUDIENCE
Aaron knows that the audience isn?t just watching his work. They?re participating in it, too. Learn how to write stories that will keep them engaged and entertained. 09 RULES OF STORY
The rules of great drama aren?t new. Here, Aaron explains how most of them were laid out more than 2,000 years ago by Aristotle in his Poetics, and how to use those lessons to become a diagnostician for your own story ideas. 10 FILM STORY ARC
Page numbers don?t sound exciting, but they?re a great tool for tracking the act-structure and pacing of your story. 11 WRITING HABITS
Even Aaron gets writer?s block. Learn how gets unstuck and what writing tools he uses to make sure he?s ready when inspiration strikes. 12 GROUP WORKSHOP: UNTITLED BY JJ BRAIDER
While workshopping J.J.?s script, Aaron shares his tips on writing action scenes that move
as fast on the page as they will on the screen. 13 GROUP WORKSHOP: E IS FOR EDIE BY JEANIE BERGEN
The offbeat characters in Jeanie?s script are a hit with Aaron, who warns about the dangers of getting feedback from close-minded studio execs. (Warning: explicit content). 14 GROUP WORKSHOP: CHRONIC BY ROLAND ZALESKI
Discussing Roland?s script, Aaron reveals a simple trick that writers can use to justify improbable events in their stories. 15 GROUP WORKSHOP: THE MERC BY EVELYN YVES
Evelyn?s TV pilot kicks off a conversation about opening scenes and the importance of showing your audience something they?ve never seen before. 16 GROUP WORKSHOP: FROM HERE TO ALLI BY COREY WRIGHT
After workshopping Corey?s script and learning about his background, Aaron discusses the importance of having confidence as a writer, and shares his own origin story, starting with his days as a struggling New York actor. 17 WRITING SCENES PART 1
A great story is more than just a collection of great scenes. Learn how to give your script momentum from one beat to the next. 18 WRITING SCENES PART 2
Your script only has one opening scene. Make it memorable by introducing your theme, grabbing the audience, and setting up your characters? intentions and obstacles. 19 SCENE CASE STUDY: STEVE JOBS
In a study of a scene from Steve Jobs


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